The Canberra Times
1 July 2017
Robert Boynes came to Canberra from Adelaide about 40 years ago to take up the position as the inaugural head of the Painting Workshop at the newly established Canberra School of Art. It was a position that he held until his retirement in 2006.
25 June 2017
The artworks of Robert Boynes in his exhibition, "Modern Times", lean strongly towards the graphic. They are filled with ghostly images of humans in what could be a post-apocalyptic world.
These screen-printed paintings offer a feeling of people who might be surviving through a nuclear winter or a great disaster. Though the artworks have nothing to do with that, there is a profound sense of quiet desperation and disbelief going on in many images.
24 June 2017
Laura Van Uum
THE sweet sounds of a cello playing can be heard throughout the Bathurst Regional Art Gallery at the moment as the sound track to Todd Fuller’s hand-drawn animation entitled Icarus of the Hill.
Fuller created this captivating and evocative work whilst participating in a one-month residency at Murray's Cottage as part of the Hill End Artist in Residence Program earlier this year.
Read online: http://www.westernadvocate.com.au/story/4748561/drawing-on-greats-who-w…
The Daily Examiner
8 June 2017
SYDNEY artist and curator Todd Fuller, who has visited the Grafton Regional Gallery many times to exhibit and work with local artists.
Ahead of today's public meeting to protest against possible funding cuts for the gallery, he has written a passionate open letter championing the role of the gallery in the region and as an ambassador for the Clarence Valley.
6 May 2017
At the heart of Nicole Welch's exhibition Wildornes Land at the Blue Mountains Cultural Centre is the work Wildornes Body, a work the artist initially created as a standalone exhibit in the Kandos Museum for Cementa17. In Wildornes Body the artist lies on a mirror wrapped in a mourning shawl, filmed in time-lapse as a pose of endurance....more
Structure, division, repetition and algorithms help us to navigate the everyday, organise ourselves, are key to appreciating the rhythms and patterns of the natural world and, as Rosalind Krauss argued in her seminal essay 'Grid' (1985) represent modernity in Western art history. With such conceptual and aesthetic meaning in mind Al Munro's practice and curatorial interest has developed as have her contemporaries, artists Emma Beer, Sally Blake, Julie Brooke, Kirsten Farrell, Jay Kochel and Wendy Teakel all on show in 'Off Grid'.
NAVA: in conversation
26 April 2017
The first episode features conversations with Ian Milliss, Aleisha Lonsdale, Nicole Welch, Sarah Waterson, Ann Finegan.
Listen online here: https://soundcloud.com/nava-visualarts/episode-1-cementa17-festival-the…
Art Guide Australia
13 April 2017
As the Japanese tradition of Zen gardens demonstrates, a large space is not essential for a successful garden. Although inner city gardens often don't have the rambling space of properties like Culliton and Wright's, they can employ a compact aesthetic that involves stacks of potted plants, carefully constructed paving, walls and wooden panels to create a similar place of sanctuary. A long-time fan of Zen gardens, Mylyn Nguyen uses her serenely constructed inner city Sydney garden as direct inspiration for her drawings and sculptures....more
Brenda May Gallery has relaunched as May Space in a new location in Sydney's Waterloo. Its first exhibition, Fourteen, runs until 25 March and features the work of the gallery's 14 artists, including Robert Boynes, whose dramatic The Red Sea (2016) is below.